Futility in World War One Poetry Essay Example For Students

Futility in World War One Poetry Essay The statement that all the poems considered could have been entitled Futility, I believe Is predominantly correct, as a large majority of poetry produced at this time was highly critical of the war and of the goings on, that especially from people actively engaged in the war and fighting in the trenches and on the front line, would have been documenting about the horrors of war. As expected there is a common element of death and/or misery found in the majority of war poetry, especially the ones that I have considered. Generally, the poems that are the most famous from this mime are poems written In the trenches by Wilfred Owen, Siegfried Swanson and others. Wilfred Owen and Siegfried Swanson are two of the most prominent poets who saw action in the First World War. Wilfred Owen like many others, had gone to war believing it had a just cause and that it was his duty, like millions of others, to Join up and fight for his country. Swanson lost his brother early on in the war and the death of his close friend was to be the final straw for him. He had encountered some of the most turbulent fighting and saw combat In the bloodiest battles, but following his rinds death, he published his famous declaration against the war, which ultimately led to his spell at Craig Lockhart, in which he questioned the continuing involvement in the war, despite him believing the fighting could be ended. The war also affected Wilfred Owen to a similar degree. Moreover, the experiences that he witnessed during the war, was to completely change his outlook on It. He witnessed first hand how ruthless the great war was. He saw countless people dead and disfigured and saw front line action throughout the conflict. He himself suffered shell shock to such a degree that he had to spend time in an Edinburgh hospital. Dulcet et decorum est. by Wilfred Owen, is one of the most famous of the World War One poems and it is critical of the war itself and Its name is taken and Is written as a narrated Iambic pentameter which expresses Oneness negative attitude to the war lust as much, If not more so, than his poem Futility. Dulcet et decorum est.; Is roughly translated into English as how fitting it is to die for ones country and this ideal had been used as propaganda by the British during WWW, trying to get people to sign up for the war. What Owen is saying is that there is nothing glorious in dying in this war, he title is a play on words due to the nature of the poem and it certainly contrasts the Idea of It being great to die In war. HIS poem highlight ed the reality of war. Owen uses a range of poetic techniques throughout the poem, he uses in-depth detailed descriptions and uses imagery that allows the reader to fully grasp what it is that he has seen by using phrases such as the blood, Come gargling from the froth- corrupted lungs and Obscene as cancer. This poem is visually descriptive, although it does convey Impressions through other senses too. It includes words, which describe sounds such as gargling and guttering. It has words that describe effective and help the reader to see what the poem is describing. Dialogue is used to bring a feeling of panic. This is used in the first line of the second stanza and exclamation marks are also used to show the tone of the voice and to emphasis Gas! Gas! Quick, boys! In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. Owen uses assonance in this poem as well, descriptive language is again used to stress what is going on stumbling fumbling, drowning, chocking, guttering and laundering. These help the reader to see the horrors of what the young soldier went through and as to why it came to have such an effect on Owen. .u028172be532c2940f48ba61a061c2601 , .u028172be532c2940f48ba61a061c2601 .postImageUrl , .u028172be532c2940f48ba61a061c2601 .centered-text-area { min-height: 80px; position: relative; } .u028172be532c2940f48ba61a061c2601 , .u028172be532c2940f48ba61a061c2601:hover , .u028172be532c2940f48ba61a061c2601:visited , .u028172be532c2940f48ba61a061c2601:active { border:0!important; } .u028172be532c2940f48ba61a061c2601 .clearfix:after { content: ""; display: table; clear: both; } .u028172be532c2940f48ba61a061c2601 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u028172be532c2940f48ba61a061c2601:active , .u028172be532c2940f48ba61a061c2601:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u028172be532c2940f48ba61a061c2601 .centered-text-area { width: 100%; position: relative ; } .u028172be532c2940f48ba61a061c2601 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u028172be532c2940f48ba61a061c2601 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u028172be532c2940f48ba61a061c2601 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u028172be532c2940f48ba61a061c2601:hover .ctaButton { background-color: #34495E!important; } .u028172be532c2940f48ba61a061c2601 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u028172be532c2940f48ba61a061c2601 .u028172be532c2940f48ba61a061c2601-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u028172be532c2940f48ba61a061c2601:after { content: ""; display: block; clear: both; } READ: 'Porphyria's Lover' by Robert Browning and 'Too Bad' written by Carol Ann Duffy EssayOwen uses an array of devices in his poems, in Dulcet decorum est., he breaks up the poem into three parts, to stress the full horror of what the soldier is going through as at the end of first stanza, the young man is dying. The first stanza of the poem is written in the past tense, as it explores Owen still coming to terms with the experience while he was in hospital recovering from injuries , when the gas attack begins. In the poem Owen uses lots of poetical devices such as similes, metaphors, alliteration and assonance to convey his loathing of war. The evocative language, allows the reader to grasp the horror that a gas attack inflicts on someone, it was Just one of the horrifying events that Owen witnessed while fighting in the trenches and on the front line and is one of the key factors. Owen uses repetition to emphasis certain words, for example he repeats the word drowning because he wants the reader to really think about what he is saying, and by leaving the word drowning at the end of the line it makes it more dramatic than at first My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie; Dulcet et Decorum est. Pro patria moor The idea of futility is clearly expressed here by Owen, he is saying the brutality of the way this man has died. In his eyes proves it is not fitting to die for ones country, such a barbaric way for someone to die, and then what they do with the body Behind the wagon that we flung him in, so casually, due to how frequently people died in this war. The death of a solider lost the effect that it would have on any other person not Irving in the trenches as it was commonplace and was not a glorious way to die. This poem has been seen by many as a direct response to Rupert Brooks The Soldier. He is having a go at the people that tell the lie it is sweet and right to die for your country. In other words, it is a wonderful and great honor to fight and die for your country and Owen is expressing that it is not, it is in fact, undeniably, futile as there will be no glory for them in death. The poem then goes on to give a grotesque image of vile, incurable sores on innocent tongues to further emphasis how Futility is a poem written by Wilfred Owen, in which he is critical not only of the war but of God as well. Whereas sonnets generally take a Joyful or happy tone, this is not, as it is littered with irony. It tells of how the death of a soldier close to Owen had died and this leads him to question what they are doing in the war and ever increasingly has questioned not only that but questions God as well and how the life giver the sun, does not give life to the dead soldier who isnt coming back, as he is lifeless. Swanson uses sarcasm and clicks, making ironic comments throughout his poetry to resent his displeasure at the war. Swanson had signed up on the very first day and likewise with many others and was a strong supporter of what the British were trying to achieve. As time went on and he saw the horrors of war, he became discontented with the war and became a strong objector. His poems were very critical of the goings on, not only in the war but at home as well. .ubffe39edc0791e64532caa759ac30b56 , .ubffe39edc0791e64532caa759ac30b56 .postImageUrl , .ubffe39edc0791e64532caa759ac30b56 .centered-text-area { min-height: 80px; position: relative; } .ubffe39edc0791e64532caa759ac30b56 , .ubffe39edc0791e64532caa759ac30b56:hover , .ubffe39edc0791e64532caa759ac30b56:visited , .ubffe39edc0791e64532caa759ac30b56:active { border:0!important; } .ubffe39edc0791e64532caa759ac30b56 .clearfix:after { content: ""; display: table; clear: both; } .ubffe39edc0791e64532caa759ac30b56 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ubffe39edc0791e64532caa759ac30b56:active , .ubffe39edc0791e64532caa759ac30b56:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ubffe39edc0791e64532caa759ac30b56 .centered-text-area { width: 100%; position: relative ; } .ubffe39edc0791e64532caa759ac30b56 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ubffe39edc0791e64532caa759ac30b56 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ubffe39edc0791e64532caa759ac30b56 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ubffe39edc0791e64532caa759ac30b56:hover .ctaButton { background-color: #34495E!important; } .ubffe39edc0791e64532caa759ac30b56 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ubffe39edc0791e64532caa759ac30b56 .ubffe39edc0791e64532caa759ac30b56-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ubffe39edc0791e64532caa759ac30b56:after { content: ""; display: block; clear: both; } READ: World War Ii Persuasive EssayHe strongly criticizes the general public in his poem Suicide in the trenches which tells the story of a young soldier who took his life while on the front line, You smug-faced crowds with kindling eye Who cheer when soldier lads march by, Sneak home and pray youll never know The hell where youth and laughter go. Swanson like many others had become discontented with the war and uses dark satire in his poems, similar to what Owen does in Dulcet et Decorum est. and for a similar effect. They both found that the War was a futile one and were dismayed and displeased with the Jingoistic poetry of poets like Jessie Pope and other poetry that was used as pro-war propaganda like The Soldier By Rupert Brooke. This portrayed an unrealistic reality about the war, in the eyes of Swanson and especially Owen who noninsured these poems were having a detrimental effect, as it was used as part of the recruitment drive to get people to sign up for the war, with false pretences. It is widely acknowledged that Oneness poem Dulcet et Decorum est. was originally going to be addressed to Jessie Pope as it is completely contrary to the poems that she wrote including one of her most famous poems, The Call in which she uses a lot of rhetorical questions, for example Wholl earn the Empires thanks? and Will you, my ladled? Is repeated numerous times, throughout her poem.